“Supercomp, in particular, is exciting as it streamlines the pre-composing process and makes it simpler to composite elements into atmospheric effects and distortions.” Product Manager of Motion Design and VFX at Adobe. “Red Giant’s VFX Suite is a fantastic, realistic toolkit to up your VFX game due to its breadth of compositing tools inside After Effects,” said Victoria Nece, Sr. We are extremely proud and excited to share it with the visual effects community.”

VFX Suite is the culmination of that work, and is packed with tools for keying, compositing, motion tracking and object replacement/removal, plus beautiful glows, distortions and lens flares. Over the last couple of years, we’ve been quietly building a cohesive toolkit aimed at solving some of the biggest challenges faced by visual effects artists today. “The team at Red Giant is made up of talented artists, filmmakers and developers, with decades of experience in creating great products and great visuals. “The VFX Suite was built from the ground up for visual effects artists in need of powerful, fast and professional tools that they can use without ever leaving Adobe After Effects,” commented Chad Bechert, CEO of Red Giant.

Comprised of nine tools in total, Red Giant VFX Suite offers a powerful toolkit for realistic VFX composites, automatic chroma-keying, lightning-fast and accurate planar tracking, object replacement/removal, photo-realistic glow effects, beautiful prismatic displacement effects and camera-inspired lens flares for visual effects and motion graphics. Red Giant today announced VFX Suite, an all-new suite of keying, tracking, cleanup and visual effects compositing tools, all right inside Adobe® After Effects®, part of Adobe Creative Cloud®.

After effects chromatic displacement